The Dr. Howard Gluss Show

Futurist and Science Fiction Writer Robert Sawyer who has won forty-one national and international awards for his fiction and is one of only seven writers in history to win the science-fiction field's three top awards for Best Novel of the Year joins Dr. Gluss in an enlightening discussion about Science Fiction and its relationship with the future of our planet.

Continuation of the Discussion

Continuation of the discussion. Robert address’s call-in regarding futurists and Science Fiction writers.

Conclusion of the discussion. Robert answers e-mail regarding his writing. Contact information for Robert Sawyer.

Academy award winner Stephen Greenfield President of Write Brothers, Inc., the recognized world leader and acclaimed developer of award-winning software for writers and a produced screenwriter joins Dr. Gluss to discuss psychological approaches to writing great scripts.

Continuation of the discussion and contact information for Stephen Greenfield and Write Brothers

Joining Dr. Gluss is special guest Rhys Bowen, winner of eight major mystery writer awards who currently writes the Molly Murphy Mysteries and the Royal Spyness books including her newest book A Royal Pain.

Continuation of discussion on the "Who-Done-It" psychology behind great writing and contact information

Former anthropologist Aaron Elkins, award winning Mystery and Thriller author of The Gideon Books which have been translated into a major ABC-TV series joins Dr. Gluss to discuss the "Who-Done-It" psychology behind great writing.

Continuation of discussion on the "Who-Done-It" psychology behind great writing and contact information

Dr. Gluss discusses storytelling, creativity and the psychology of writers with acclaimed screenwriter Jack Epps, Jr. He has had his screenplays made into seven feature films including Top Gun, Legal Eagles, The Secret of My Success, Dick Tracy , and Anaconda. Among his television credits are Hawaii 5-0 and Kojak Mr. Epps is also a script doctor working with directors such as Ivan Reitman, Tony Scott, Herb Ross and Warren Beatty and is an Associate Professor and Chair for the famed USC Film School in the screenwriting department.

Continuation of the discussion including discussion on New Media.

Continuation of the discussion Mr. Epps adress’s an e-mail regarding the choice to become a The screenwriter, novelist or playwright.

Conclusion of the discussion and contact information for Mr. Epps and the USC film School.

Join Dr. Gluss as he welcomes James Warwick and Linda Brennan of The American Academy of Dramatic Arts as they discuss their love of acting both as an art and an occupation. James Warwick is the president of the Los Angeles branch of the academy and Linda Brennan is an acting instructor and licensed psychotherapist specializing in creativity at AADA.
http://www.aada.org/html/main.html

Continuation of the discussion.
http://www.aada.org/html/campuses/hollywood.html

Linda Brennan acting instructor and licensed psychotherapist at The American Academy of Dramatic Arts and James Warwick President of the Los Angeles campus of the academy discuss the art and business of acting.
http://www.aada.org/html/main.html

Conclusion of the discussion and contact information
http://www.aada.org/html/campuses/hollywood.html

Suzanne Isken, Director of Art Education for MOCA, The Los Angeles Museum of Contemporary Arts and Dr. Victoria Stevens, Clinical Psychologist, Psychoanalyst, Professor, and Researcher discuss art, critical thinking, imagination, creativity and Art Education.

More with Suzanne Isken and Dr. Victoria Stevens

Conclusion of the discussion. Contact Information for Suzanne Isken and Dr. Victoria Stevens.

Joe Byron, Director of Education for The Los Angeles Film School discusses Talent, Technology and Creativity with Dr. Gluss. The Creative Process

Joe Byron, Director of Education for The Los Angeles Film School discusses Talent, Technology and Creativity with Dr. Gluss.

Joe Byron Addresses two e-mail questions regarding student demo reels and second careers in relationship to risk taking. Joe addresses the concept of having a successful career in film.

Contact information and conclusion of discussion with Joe Byron, Director of Education for The Los Angeles Film School.

David Galgano and Phil Selway owners of Hamilton Selway Gallery of Contemporary and Pop Art in West Hollywood California and the one of the largest distributors of Warhol’s on the West coast discuss Andy Warhol, the psychological impact of modern art and their unique partnership in the art world.
Guests: David Galgano and Phil Selway

Dr. Gluss, David Galgano and Phil Selway address a listeners e-mail concerning career frustrations.

Continuation of discussion with a focus on the importance of Art Education in Schools. Dr. Gluss discuss’s an Art Education study that was done in The Boston School District and was funded by The J. Paul Getty Foundation. Contact information for the Hamilton Selway gallery.

Conclusion of discussion. A listener’s e-mail is addressed concerning finding the worth of an art collection.

Screenwriter Bill Kelly, writer of such films as Enchanted, Premonition and Blast from the Past discusses the creative process from his personal perspective. He answers an e-mail question inquiring about the difference between writing for animation versus live action film.

Screenwriter Bill Kelly, writer of such films as Enchanted, Premonition and Blast from the Past discusses the creative process from his personal perspective. He answers an e-mail question inquiring about the difference between writing for animation versus live action film.

Screenwriter Bill Kelly, writer of such films as Enchanted, Premonition and Blast from the Past discusses the creative process from his personal perspective. He answers an e-mail question inquiring about the difference between writing for animation versus live action film.

Screenwriter Bill Kelly, writer of such films as Enchanted, Premonition and Blast from the Past discusses the creative process from his personal perspective. He answers an e-mail question inquiring about the difference between writing for animation versus live action film.

Talent Agent Adam Lieblein takes a call from a writer regarding creative control of his material when it is bought by a third party.